Author: Duarte Armendáriz, Luisana

ICYMI: Collaborative Circulation Conference Recap

Earlier this month, Brandon Hurst and I (your ECE English Graduate Assistants), had the pleasure of witnessing the fruition of the work we did along with our leadership (Scott Campbell and Tom Doran ) and our Advisory Board during our conference: Collaborative Circulation: A Recursive Roadmap.  

Throughout the day, our ECE English instructors delved deeply into the concept of “circulation” in the writing classroom. With a name like that, the conference itself was designed to be an expansive journey, one that would move beyond considering circulation as an endpoint. Our presenters and panels encouraged us to map the dynamic pathways that our ideas and written works follow as they flow through stages of ideation, creation, feedback, revision, and community engagement. 

Each session, led by members of our Advisory Board highlighted how circulation can be seen not only as a process of sharing and re-sharing work but as a collaborative venture that involves early ideation, rhetorical context, and multifaceted feedback. Circulation became more than the final stage of the writing process. Instead, we explored it as a living and recursive part of the writing process, one that shapes our work from the first spark of an idea to its permeation within a community.  

Screenshots from the Opening Remarks presentation showing a graffitti by tagger VEO and poems by Emily DickinsonThroughout various sessions, presenters, educators, and scholars brought forward stimulating examples and approaches to integrate circulation into writing pedagogy. Scott and Tom, in their welcoming remarks engaged with circulation in graffiti tagging and the poems of Emily Dickinson, respectively. Attendees were sent off to their sessions primed for the opportunities that the exploration of the vast uses that centering circulation in our writing process reveals and the growth for students that that engenders. We examined traditional notions of circulation as “publishing” but pushed past that view to consider circulation as a transformative process that writers and students experience in iterative, often unpredictable ways. A recurring theme was the collaborative nature of circulation, with presenters sharing how they encourage students to engage with peers, instructors, and outside communities, making the writing process more transparent and connected. 

The Circulation for Brainstorming and Ideation session looked at circulation in its ideation phase. Throughout the conference, this session became a wellspring of ideas and conversations through Post-It notes as attendees engaged with images and responded to the sessions that came before. The ideas in circulation (on the notes) influenced those participating in the next session. In this way, the participants not only engaged with the materials provided by the workshop leaders, but also the responses that came before them. The session emphasized the recursive and collaborative nature of ideas in an engaging activity. You can see images of the compiled comments here. 

Our Circulation of Feedback session focused on feedback loops within classroom settings, where the presenters emphasized the circulation of feedback as a dialogue and discussed methods for engaging students in a series of reciprocal exchanges that invite them to see their writing as a living piece on which to act upon and respond to. Such discussions underscored the importance of fostering a space where students can experience the full lifecycle of writing—a journey where texts evolve in relation to diverse voices and perspectives. 

Poster board showcasing an example of the Humans of East Lyme ProjectThe Circulation as Rhetorical and Compositional Context session focused on how the rhetorical context in which the writing of students exists can move beyond the classroom. Using the Humans of Education project (renamed to Humans of East Lyme), One presenter shared how her students expand the reach of their writing by creating a new rhetorical context. Another presenter shared some great-looking posters that emerged from a class that had traced the social impacts of a song. The posters led back to a shared playlist of all the songs. Both of these assignments invite students and the community into the reading of these pieces and can be shared through time and space with tools like QR codes.

Brandon and I also hosted two hands on (and quite arts and crafty) sessions. In these sessions we used Where the Wild Things Are by Maurice Sendak and “Joy” by Langston Hughes to offer a new activity for students to engage with texts in multiple circulation phases. During the sessions all participants commented, had conversations through, deconstructed, and reconstructed texts to encapsulate and enact a tactile experience of circulation.  

During our closing session, multiple cross-campus instructors shared with the conference attendees the diverse ways in which they are implementing circulating practices in their classrooms. We heard about audio postcards, civic engagement expos, judging texts already in circulation, the impetus we have to write (both in and out of the classroom), and the impact of circulation on identity construction. 

As a newcomer to the ECE English world, I want to extend my gratitude to the presenters and attendees.  The collaborative spirit among participants was palpable in the conversations that I engaged with and reminded me that, as educators, we can only benefit from sharing our challenges, successes, and strategies to nurture a richer, more meaningful writing experience for our students. 

A special thanks must also go to the Advisory Board: Kevin Barbero, Kyle Candia-Bovi, Michael Ewing, Emily Genser, Siobhan Jurczyk, Alexa Kydd, Ramona Puchalski-Piretti, Kristen Rotherham, Arri Weeks, and Karen Tuthill-Jones. Their dedication to facilitating engaging, collaborative sessions, and ensuring that each participant’s voice was heard created a truly inclusive environment. 

If you missed out on this conference or want to dive even deeper into these ideas, you can visit our Fall 2024 Conference Materials or our larger resource repository in our SharePoint site. I’m excited to share that we will hold our next conference in April in conjunction with the larger UConn FYW Program. Thank you, again, to everyone who made Collaborative Circulation: A Recursive Roadmap a success. I look forward to seeing you all in April! 

 

ECE English Spring 2024 Conference

ECE English Presents

Inquiring About Writing: Syllabi and Texts in the ECE English High School Classroom

April 2024 Conference

UConn Hartford

For conference slides, please visit this website:

SharePoint

Teaching first-year writing in the high school classroom is a unique and fun experience that grants us the chance to experiment and play with how we and our students engage with writing. This freedom to pursue a course directed toward our students’ needs is the focus of this conference. How can you revise your syllabus to make it more inquiry-based and student-focused? What does it mean to teach first-year writing over a high school academic year? How can you utilize various types of texts—from books to articles to art to film to contemporary events—in your classroom? These questions and more form the basis of this focus on syllabi and inquiry in the ECE high school classroom.

With the end of another year quickly approaching, this conference brings together ECE English teachers to reflect on how to improve our syllabi, use different texts with our teaching, and implement first-year writing in the high school classroom for the next school year. We gather at the UConn Hartford campus for a differentiated conference experience. Choose from engaging with Hartford’s public museum, the Wadsworth Atheneum, and talking about identity and writing; an intensive for new(er) teachers to think about teaching a full year of ENGL 1007; workshops on unit arcs and using texts in the classroom; or come ready to do some guided work in our group working room.

April 26, 2024 | 10 a.m. to 2 p.m.
UConn Hartford

 

Agenda

“Barbie, Literary Theory, and Art” Course Unit Discussion

Advisory Board Member Kevin Barbero provides an example of a course arc focused around Barbie, literary theory, and art, showcasing his assignments and syllabus architecture for this unit. Teachers will engage in a workshop discussion about course inquiry and teaching units in the ECE English high school classroom with Kevin’s example as the jumping off point. 

Wadsworth Atheneum: Engaging with Inquiry, Identity, and Writing

Join Advisory Board Member Arri Weeks as she takes a group to the Wadsworth Museum in downtown Hartford. The group will think about inquiry, texts, identity, and writing as it relates to an exhibit in the museum.

New(er) Teacher Intensive Workshop

If you are a new or newer teacher who is thinking about the yearlong ENGL 1004 or 1007 classroom in the high school setting, this intensive workshop is for you. Join Advisory Board Members Kyle Candia-Bovi and Alexa Kydd as they show you an example from their syllabi about how to turn the usually semester-long ENGL 1007 into a yearlong course.

Group Working Room

Do you need some time to just think deeply with a group about your syllabi and class and have some quiet time to work on them? Join Advisory Board Members Emily Genser and Ramona Puchalski-Piretti in some an hour-long guided working session.

“The Good Place, Literary Theory, and Philosophy” Course Unit Discussion

Advisory Board Member Kristen Rotherham provides an example of a course arc focused around The Good Place, literary theory, and philosophy, showcasing her assignments and syllabus architecture for this unit. Teachers will engage in a workshop discussion about course inquiry and teaching units in the ECE English high school classroom with Kristen’s example as the jumping off point. 

Concluding Session

Join us for concluding remarks about syllabi, text choice, and inquiring about writing in the ECE English high school classroom.

December 2023 Workshop

A long banner with a growing plant on the bottom and the words "Assignment Guidelines & Project Gallery" written in white.

ECE English Presents

Assignment Guidelines and Project Gallery

December 2023 Workshop

Project Gallery | Workshop Slides | Workshop Recording

Workshop description. This hour-long workshop focalizes the assignment guidelines for first-year writing and asks how our assignments engage with FYW ideas like the essential components and the habits of practice/writing moves. It seeks to present some of the theoretical foundations that scaffold assignments in first-year writing, while also giving a gallery of four different assignments for us to see how and why our fellow teachers are making certain decisions in their assignment creation.

Assignment review. As part of this workshop, we invite you to submit assignment material you’d like to have a second set of eyes on. Using our form below, please let us know a little about what you want support on and upload the materials for us to review. This assignment review will be open until January 31, 2024.*

Helpful links. The following links to more reading about assignment guidelines and more project ideas.

*Of course, we are also always happy to review anything you want us to. This form helps facilitate a post-conversation to the workshop, but if you are wanting feedback or brainstorming help about anything in your course, please send the ECE English email a note and let us know how we can help you.

ECE English Conference Spring 2023

ECE English Presents

Salutations, Congratulations, and Critiques
Praise and Optimism in the Writing Classroom

October 2023 Conference

For conference slides, please visit this website:

https://docs.google.com/presentation/d/1FR8fEQitbG3gt7MUhOOKKFcH3CTRV4dFo0pEWSjG1QA/edit?usp=sharings.uconn.edu/fall23slides

Poster for the October 2023 Conference. Information can be found on the webpage.A lot has happened in the last few years from pandemics to wars to disagreements to economic upheavals. Our students have lived through these events, surviving and, hopefully in some cases, thriving resiliently. How can we make our classrooms a space for optimistic inquiry through writing? How might we facilitate classrooms with positive critique and critical praise? How can we bring some joy and light through multimodality and studio pedagogy into the lives and experiences of our students? This conference builds on the work of Deonna Smith on joy and the anti-racist classroom, Gholdy Muhammad on cultivating genius and unearthing joy, and Felicia Rose Chavez on the anti-racist writing workshop in a series of workshops that brings together our community of early college experience English teachers to share in the delights and failings of giving feedback.

We hope to welcome in the new school year with an approach to teaching that is firm to our core principles while at the same time bringing out more bright opportunities and chances for our students. Through the collective experience of attendees, this conference will create an archive of feedback models, facilitate close pedagogical relationships, and partner with others to improve all of our methods of communication with our students. We will engage in the first-year writing habits of practice—collecting and curating, engaging, contextualizing, theorizing, and circulating—to strengthen our community, learn from each other, and find joy in our students.

October 6 | 9 a.m. to 2 p.m.
Student Union 305
UConn, Storrs Campus

Registration now open!

Learn more through our blog series!

Throughout the months of September, October, and November, we will host a series of blogs focusing on our critical interlocutors—Smith, Muhammad, and Chavez—in order to think through some of the principles in their books.

Introducing Praise and Optimism in the Writing ClassroomCover image for the blog "Introducing Praise & Optimism in the Writing Classroom"

In this blog postAdam introduces the authors and texts we’ll be working with, along with a brief thought on what feedback and critiquing—supporting our student’s writing and revising—might be.

Gholdy Muhammad’s Cultivating Genius and Unearthing Joy introduce the five points of historically responsive literacy.

Deonna Smith’s Rooted in Joy centers our anti-racist work in joy.

Felicia Rose Chavez’s The Anti-Racist Writing Workshop gives ideas of how we can run our classrooms and support our students writing.

ECE English Conference Spring 2023

Spring Forward!

Tuesday, April 18

9 a.m. – noon

UConn Storrs Student Union rooms 304 A/B/C

Conference schedule.pdf

Get a head start on your materials for the fall at our spring conference. This year we’ll focus specifically on the role of text (which comes in many forms!) in the ECE English classroom, developing course materials for 2023-2024, and using UConn’s varied library resources for activities and assignments.

Conference resources

Main materials:

Opening Remarks slideshow (Google Slides)

Conference slideshow (Google Slides)

Using the UConn Library slideshow (Google Slides)

Session Padlet links:

Session 1 Padlet (“Reading in ECE English”)

Session 2 Padlet (“Building Text into the Course Inquiry”)

Supplementary links:

UConn Reads homepage

UConn Library homepage

UConn Archives & Special Collections digital collections homepage

Connecticut Digital Archives (CTDA) homepage

ECE English Conference Fall 2022

A New Chapter

Tuesday, October 18

8:30 a.m. – noon

Program.pdf

Let’s turn the the page together! In 2022, UConn’s First-Year Writing program transitioned from ENGL 1010 and 1011 to ENGL 1007: Seminar and Studio in Academic Writing and Multimodal Composition. Though much is the same, this transition ushers in new emphases: a focus on course inquiry, studio pedagogy, field research, and writing moves. By now, you’ve settled into your ENGL 1007 (and ENGL 1004) classrooms, so at this conference we wanted to celebrate the successes and wins that have come with this new transition to ENGL 1007, as well as address some of the challenges you may be facing. We spent time collaborating on some potential solutions to implement for the rest of the 2022-2023 academic year, and also discussed implementing new ways to “make contact” with the world in the field research portions of our classes.

 

Opening remarks presentation links:

Google presentation 1

DALL·E 2

General session links:

Google presentation 2

Field Research / Documentary Notes (session 2) Padlet

Working lunch brainstorming Padlet

Curated Google Drive folder of collaborative studio artifact examples

Supplemental materials:

Kathryn Warrender’s Google slideshow on Primary Research assignments in FYW

FYW’s resources on synchronous studio modules in UConn classrooms

FYW’s resources on asynchronous studio modules in UConn classrooms

ECE English Conference Spring 2022

A Day of Plausible Dada

Thursday, March 31, 2022

10:00 a.m. – 2:00 p.m.

Register

Conference Program.pdf

English 1007 Overview

Session I links:

The Studio Experience Slideshow

Infographic Overview and Workshop Instructions

Session III links:

Designing a Course Inquiry Slideshow

Course Inquiry Template

 

 

What is “P.D.”? Plausible Dada? A Pajama Day? A Pleasant Digression?

“Professional Development” is a term that secondary education folks cringe when they see. “P.D.” is a loaded phrase, synomous with the idea of outside “experts” who come in to hawk trends that vanish in a year or two.

For our Spring 2022 Conference, we are playing with the much-dreaded notion of “P.D.” as we embark on a play day to refresh our syllabi for the changeover to ENGL 1007 in the fall. We are dedicating the conference to a day of workshops intended to help instructors jumpstart their course inquiries, experience Studio Pedagogy as students, and develop their own Studio activities. Bring your syllabi, your assignments, and your ideas!

 

Supplementary readings

View these videos about course inquiry and writing moves:

Course Inquiry

Writing Moves

Check out the recent blog posts by Kari Daly and Scott Campbell:

As well as these websites regarding Studio Pedagogy:

ECE English Conference Fall 2021

Friday, October 22, 2021

10:00 a.m. – 2:00 p.m.

Conference Program.pdf

CLICK HERE FOR CONFERENCE MATERIAL ARCHIVE

(You must be logged into your UConn email to access)

 

Please check out the following blog posts:

Choosing Readings, Part I

Choosing Readings, Part II

As well as Letting Go of Literary Whiteness: Antiracist Literature Instruction for White Students by Carlin Borsheim-Black and Sophia Tatiana Sarigianides and The Antiracist Writing Workshop: How to Decolonize the Creative Classroom by Felicia Rose Chavez.

 

Teaching for Joy and Justice

The past eighteen months have brought substantial challenges to our profession. As teachers, we are just beginning to emerge from the heavy cloud of the pandemic to embrace the new normal. Concerns about access to technological tools for distance learning have given way to concerns about navigating a safe, socially-distanced classroom. In this new world, it’s easy to be overcome with frustration from the need to constantly pivot in our teaching while simultaneously implementing an antiracist pedagogy. Additionally, ECE instructors are keenly aware of the pressure to meet the criteria of the new English 1007 course next year.

Our fall conference seeks to recapture the joy of teaching, to reinvigorate our pedagogy and embrace the beginning of a new era. We will celebrate what we’ve learned from the pandemic and our antiracist work and ask how we can continue to grow as instructors.

In this conference we’ll explore the possibilities which the changeover to the ENGL1007 curriculum affords us by sharing exciting new multimodal assignments; learning how studio pedagogy can foster problem solving through composition; and finding inspiration in fresh takes on the readings we assign in first-year writing. We invite you to lean into the new curriculum with us to discover how it can promote student exploration and reinvigorate our teaching.

ECE English Conference Spring 2021

CLICK HERE FOR CONFERENCE MATERIALS ARCHIVE

(Please access using your UConn account)

Reading, Writing, Restorying

Research in the teaching of composition has a long history of reinforcing a binary between writing and reading, reflecting tensions around the professionalization of rhetoric and composition as a discipline, and prompting important questions about what actually distinguishes a writing course from a literature course.

As high school teachers, most of us are less acquainted with the post-secondary reading/writing dynamic, largely because, while k-12 literacy study has long prioritized reading, the integration of reading with writing is still treated as organic and largely second nature in most high school classrooms. 

This integration places those of us teaching in concurrent enrollment settings in a unique position. On the one hand, it can complicate our efforts to shift the balance away from literary analysis towards more general education approaches to writing. On the other, it creates an environment for authentic connections between course inquiry, composition studies, and student writing. 

In this conference, we’ll consider how we define reading and writing in the first-year writing course, examining the relationship between assigned texts, writing instruction, and course inquiry. 

    • How can we use course inquiry to move away from traditional rhetorical and literary analyses?
    • What is the role of course readings, and how can we diversify our text selections to reflect broader compositional goals? 
    • How might exploratory composing, including multimodal “restorying,” constitute anti-racist practice?  
    • How do we teach writing using a studio approach? 
    • How are we incorporating course moves in ways that engage students both in and outside of the classroom? 
    • And how might we “restory” our existing curricula to foster more relevant, student-centered, equitable classrooms?

ECE English Conference Fall 2020

Thinking Beyond Curriculum: Anti-Racist Writing Assessment


In recent years, many of us have sought to actively address the whiteness of traditional English curricula, we’ve introduced more writers of color, considered the racism of canonical works, and discussed the traumas of racial inequity with our students. Yet the ongoing and vital public outcry for racial justice underscores the urgent need to do more to take on our nation’s systemic racial conflicts, and composition scholars have answered this call with a robust body of work addressing the role literacy education might play not just in confronting racism, but in perpetuating it. Many have implicated the supremacy of “White English” in the failure of educational institutions and writing programs to establish greater equity.

Our fall conference will consider these arguments in the context of our work as ECE/FYW instructors, reflecting on what we’re currently doing to address racism in our classrooms, and examining scholarship that proposes next steps. What does it mean for students to have a right to their own language? How do we theorize “Englishes” in an environment traditionally devoted to standards? How can we alter our thinking about assessment to more fully embrace students’ diverse linguistic strengths? And moving forward, how might COVID-era experimentation and the upcoming transition to the new ENGL 1007 course help us more rapidly develop a more equitable and inclusive program? 

Fall poster text